The dance arrives under the house. The bodies pierce the urban fabric and move beyond the limits, joining the private windows under which they dance and the public places they cross, creating a map of the city. They enter people's private perspectives, in those fixed frames that for months have been our only glimpses outwards. The dance unites outside and inside in a game of vertical perspectives that accumulate, where the bodies trace a path capable of creating unusual connections, bringing the choreographic narration from one window to another. The dancer, in the microcosm of the city, becomes a symbol of nomadism in opposition to the sedentariness of the public forced to observe from their homes. The performance aims to re-appropriate the city starting from a different way of perceiving the streets that run through it through dance and dancers. It wants to reflect on the connection between urban and human fabric, on the sense of how the pandemic has conditioned people's movement, proposing a way to feel close in the distance and creatively using the relationship between inside and outside.