Roberta Racis (IT)

Nulla dies sine linea

Spring 2026

In Nulla dies sine linea, , whip cracking becomes a sonic and symbolic gesture through which to question the feminine. The whip, an instrument historically charged with images of power, control, and violence, is re-approached by a female body that shifts its meaning: the gesture does not dominate, but listens; it does not impose itself, but measures. Roberta Racis’s performance is a writing for a body, whip, and voice in which movement arises from a research into sound. Each crack inscribes the space, generates rhythm, and opens pauses and silences. The dance responds to these sonic traces with precision and fragility, alternating tension and release. The sound does not accompany the action: it guides it, interrupts it, and calls it into question. Through repetition, fatigue, and risk, the dance constructs an intimate landscape in which the body becomes both source and resonating chamber. The stage thus transforms into a space of radical listening, of dialogue between gesture and sound, and of openness to transformation.

Ph. Fabio Artese

Project, choreography, dance: Roberta Racis | Whip cracking teacher: Mordjane Mira | Sound: Emanuele Pontecorvo | Lighting design and technical direction: Mattia Bagnoli | Dramaturgical process accompaniment: Gaia Clotilde Chernetich, Martina Badiluzzi | Mentoring: Alessandro Sciarroni | Whips: Silverwhips / Sylvia Rosat | Photos: Fabio Artese | Production: Fuorimargine – Centro di Produzione di Danza e Arti Performative della Sardegna | With the support of: Snaporazverein, Ira Institute, Centro di Residenza della Toscana (Armunia – CapoTrave/Kilowatt), IntercettAzioni – Centro di Residenza Artistica della Lombardia / Teatro delle Moire, PimOff Milano, Cross Festival Verbania, Artisti Associati / Centro Residenza arti performative FGV

Roberta Racis is a choreographer, dancer, and performer. Since 2018 she has developed her research as a guest artist in European and international projects (Performing Gender, D&D Dance and Dramaturgy, Crisol Creative Processes) and has presented her works at numerous festivals in Italy and abroad, including Romaeuropa Festival, FOG Triennale Milano, Fabbrica Europa, Santarcangelo Festival, City of Women Ljubljana, Nottdance Nottingham, Dance Nucleus Singapore, and Attakkalari India Biennial. She is co-founder of Collettivo MINE, with which she collaborated until 2023. With Atto Bianco she inaugurates a new phase of research centered on the relationship between movement and voice and on a ritual and transformative female gaze. She is currently a performer in projects by Sciarroni, Cosimi, Marilungo, Giannini, and Novembrini, and has been a Dance Well teacher since 2024.

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