Se domani_studio starts from an identity exploration to uncover and reveal our transversal, historical, social fragilities in front of a contemporaneity imbued with a plural crisis, economic, intimate, and climatic. It seems that to act, humans need to find themselves in a state of emergency and can only contemplate the existence of change when it is inevitable, where there is nothing left to protect them, and they must strip away all certainty. In If tomorrow, the crisis becomes body, sound, and movement. The word crisis is reinterpreted in its original meaning of choice and possibility, allowing us to find "the other," to change, renew, be alive, and not consider ourselves immortal. There are two bodies on stage immersed in a space on the brink of collapse. An undefined space that, in our imagination, continues to crumble moment by moment. These two bodies continue to advance, traversing the space as if on two rails. They slowly strip off their certainties, the crisis surrounding them also becomes their personal one: it creates energy, fills the space, and by breaking the rails, offers points of encounter between the two individuals. In advancing, will they fill the space between them, or will their space disappear with them at the end of the race? Will they turn their gazes? Two disturbing movements in the attempt to re-configure themselves and reconfigure even at the brink of the end. Accompanying these bodies on their path will be the sound, the bearer of the crumbling of space that will become an important narrative element to relate to. From fragmentation into ever smaller pieces until it becomes ethereal.
The project opens to the CROSS public with a workshop activity and a final performance.

FROM BODY TO WORD, FROM WORD TO BODY
Workshop
The meetings are a moment to reflect on the theme of "crisis" through exercises and processes that investigate the expressive, narrative, and symbolic relationship between the word and the body, starting from the research experience we are carrying out for the creation of the choreographic work "If tomorrow". Exercises that start from creating texts, from the search for words, becoming a foundational element to think about the theme addressed and to start a process of embodiment, not as a mimesis of the concept and the imaginary, but as an attempt to return the word to its original impact on the body.
This mode of study and artistic research will be the key to opening the work to different users, towards a wider community or towards existing groups.