Giselda Ranieri is a classical and contemporary dancer, specialized in Dance at the DAMS in Bologna with Eugenia Casini Ropa, dance historian. Since 2008 she researches in the field of instant composition, collaborating with the group Takla Improvising Group (winner of the competition ‘Caccia all’Artista’, Piccole Meraviglie, PULSI Festival) and with several musicians (Director and Maestro of Orchestra Enrico Intra, Giovanni Falzone, Filippo Monico, Giancarlo Locatelli, Cristiano Vailati, Sergio Prada, Elia Moretti, Emanuele Parrini). Since 2010, paired with the musician Elia Moretti, she has been performing in various theatrical and museum contexts. Since 2010 she has been a dancer in the company ALDES/Roberto Castello and since 2014 she has been an associate author of the same.
Anna Serlenga is involved in theatrical and performance practice and theoretical research. Doctor of Cultural Studies (University of Palermo), she successfully dedicates herself to theatre direction for which she has been selected for national awards (Kantor Award 2010, CRT, Milan, Premio Scenario, semifinalists, 2013). Since September 2012, she lives and works in Tunisia where she directs numerous workshops and shows such as “MOUVMA!”. She teaches at the Faculty of Human Sciences at Sfax and has collaborated with the Higher Institute of Dramatic Art (ISAD) And the Italian Culture Institute in Tunis.
Rabii Brahim, a graduate of ISAD (Institut Supérieur d’Art Dramatique de Tunis), is a professional actor in several productions, including Hafiz Dhaou and Aïcha M’Barek’s “Mon corps est mon Pays” and Jaafar Guesmi’s “Richard III”, which won the award for best show in the Arab world 2013; “La vie est un songe” by David Bobée and Chata collective (Hafiz Dhaou and Aicha Mbarek) produced by the National Theater of Tunis and the Théatre National of Rouen. In 2014 he founded COLLECTIF CORPS CITOYEN, a multidisciplinary collective of artists, composed of young professionals in the field of theatre and art. Since 2016 Rabii Brahim has been living in Italy. He worked in the production of the Teatro Stabile dell’Umbria “L’ora di ricevimento – Banlieu, Il Fidelio” at the Teatro alla Scala in Milan.
Photo credits: Paolo Sacchi, Irene Pipicelli
A journey into the aura of key practices and figures of spirituality and performance art between body, gesture and vision.
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A journey into the aura of key practices and figures of spirituality and performance art between body, gesture and vision.