Art in churches. Notes on the construction of a temple

Repetition, a cornerstone of ancient rituals, could be explored through reinvented stereotypes, allowing those participating in these "artistic rituals" to find familiarity interwoven with modernity, thereby creating a bridge between the sacred and artistic innovation.

This new era could prompt a reimagining of the church itself, transforming it into a place that connects the past with the present, spirituality with human creativity. Contemporary art could become a universal language, uniting generations and rediscovering the profound essence of ceremony and ritual through unexpected artistic forms.

Thus, within today's churches, a new symphony of human expression could emerge, where the time of ritual merges with the time of art, crafting an experience that elevates the soul beyond temporal and cultural conventions, and opening the door to a new world of meaning and beauty.

These new artistic expressions do not aim to replace or overshadow the sacred meaning of churches, but rather to enrich it, offering new paths of interpretation and connection with the divine. The installation of contemporary works of art in churches becomes an invitation to contemplation, a call to reflection that stimulates deep emotions and thoughts.

This integration also offers an opportunity for worshippers and visitors to experience spirituality in unconventional ways. The fusion of the sacred and the contemporary creates a space for open and inclusive dialogue, where people from different perspectives can find common ground to explore universal themes.

Moreover, these new perspectives on art in churches contribute to the democratization of art itself. Churches, traditionally open to all, become true museums where contemporary art can be appreciated by a broad audience, making art more inclusive and accessible.

This integration provides an opportunity for worshippers and visitors to experience spirituality in unconventional forms. Artists like Bill Viola, with his immersive video installations, transport audiences on emotional and spiritual journeys, challenging the boundaries of time and space through a unique artistic experience.

Digital art could depict sacred stories through immersive projections on the walls, making visible to the public unique interpretations of spiritual traditions that have endured through the ages. Artists like Janet Cardiff and George Bures Miller, with their engaging sound installations, transform spaces, including sacred ones, into venues for multisensory storytelling, offering a fresh way to explore spirituality through sound and imagination.

In addition to Viola's work, we have chosen to feature an interior by Dan Flavin in Milan, which has defined the three main sections of the church—the nave, transept, and apse—since 1997. The installation gives the environment a captivating atmosphere, evoking the three key moments of the day: dawn, midday, and dusk. Similarly, Sol Lewitt's chapel in the Langhe is a bold experiment in form and, above all, color, set within the gentle yet distinctly classical landscape of the Piedmont hills. In both of these settings, the sacred space is not so much a place for contemporary art as it is transformed into a work of new art itself.

Moreover, this convergence between contemporary art and the Sacred could renew the significance of churches as spaces for human and spiritual connection. Transforming these spaces into contemporary art settings can make churches not only places of worship, but also hubs of inspiration, cultural dialogue, and exploration of the interconnectedness between art, spirituality, and humanity.

Ultimately, the integration of contemporary art in churches offers a fresh and promising perspective on the human and spiritual experience, opening doors to a broader and more inclusive understanding of the world around us.