In collaboration with Fondazione Piemonte dal Vivo and Sant'Arcangelo Festival Admission allowed for the duration of the performance. Stay as long as you like. SENSITIVE CONTENTS: loud sounds or music. A choreography that reflects on the relationships between desire, dance, fragmentation, love (intended as community), loss and time. Through gesture, sensuality, touch, interdependence and connection, Baczyński-Jenkins' practice unfolds structures and politics of desire. Unending love, or love dies, on repeat like it's endless focuses on states of perception at the thresholds of mourning, hope and celebration. Radiant listening that arises from grief and confronts the transit state from life to death. Meanings and perceptions swell, unravel and fragment as the choreography engages in the invention of micrograms of connection. The performance manifests relational forms of being-with and for the other, despite and in resistance to the crushing architectures of violence. The work is performed in various constellations of one to four performers. The performance traces a relationship between sensation and sociality, expressiveness and alienation, textures of everyday experience, utopias and queer influences.